中国书画收藏历史悠久，书画作为一种陶冶情操的精神文化产物，可以提高投资者的艺术修养和欣赏能力，具有很高的收藏与鉴赏价值。随着艺术品市场的兴起，中国的书画市场一片繁荣，未来行情看好，收藏前景非常可观。
大明盛世图
《大明盛世图》是一幅影响画坛600百年的古画，原作者是明代画圣戴进，真迹只有一幅。这副古画目前藏在博物馆中，从明代到现代均有无数名家追捧临摹，这其中数清代界画大家袁江，以及光绪皇帝的老师翁同龢最佳，所以我们经常在古画的前面后面发现“壬戊三秋袁江”落款和“光绪九年翁同龢”题字，收藏价值颇大。
袁江，是中国绘画史上有影响画家，宫廷画家，专攻山水楼阁界画。雍正时，召入宫廷为祗侯。在清康熙、雍正、乾隆时期，楼阁工整山水当以袁江最有名。当时还有他的侄子袁耀同齐名。他们两人曾受扬州的山西盐商的聘请，到山西作画，作品在北方流传较多。他擅画山水、楼台、师法宋人。山水画主要学宋代闫次平，画石多鬼皴，楼阁主要学郭忠恕，工整严密。他的绘画素材多为古代宫苑，尤长于界画。界画是我国民族绘画中很有特色的一门画科，它在东晋时代已同人物、山水画并存了，发展到宋、元时期就已达到高峰，但一直受到文人画的排挤。画艺从师仇英，山探郭忠恕笔法及赵伯驹、刘松年等青绿山水一脉，同时传工界画，成为有清一代推为第一的界画家。
翁同龢（1830-1904），字叔平，号松禅， 别署均斋、瓶笙、瓶庐居士、并眉居士等，别号天放闲人，晚号瓶庵居士，江苏常熟人，中国近代史上著名政治家、书法艺术家。体仁阁大学士翁心存第三子，咸丰六年（1856年）状元，历任户部、工部尚书、军机大臣兼总理各国事务衙门大臣。先后担任清同治、光绪两代帝师。卒后追谥文恭。
大明盛世图影响中国画坛六百年的一幅绝佳长卷，共有五个部分组成
书画卷共有五部分组成。
一、画题篆书大字，大明盛世，壬戌袁江。作品完成于明英宗正统七年，公元1442年。其时，戴进五十四岁。明宣宗一家人，御使南京秦淮河九年以后，太子朱祁镇已经登基明英宗皇帝七年。
二、主画面手卷，绢本，墨笔，26×410公分，铁线描和晕叶描。描绘南京通济门，直到聚宝门即今天的中华门，十里秦淮河明代民情风物，十处景观。夫子庙大成殿、天下文枢、文德桥、贡院等，564年前景观历历在目。画面上五百二十多位明代人物，皇帝皇后太子皇子等、明朝其他皇族，社会各界军民百姓，栩栩如生，秦淮河畔熙熙攘攘热热闹闹，好一幅明朝太平盛世图。
三、江苏抚台柳宏识行书，介绍作者戴进、画境。行书位于画上方留白处，与画卷同始终。文字录记如下：
大明盛世图一卷，乃明代画家戴进所作之精品也。戴氏字文进，号静庵，又号玉泉山人，善画。幼师叶澄及长德绪家之妙，大，率承马远、夏珪居多。人物、鬼神、花果、翎毛、走兽俱极精致。设色重轻纯熟，亦不下於唐宋先贤。画道释用铁线描，间亦用晕叶描。其人物行草有顿挫，自此绝技，远出南宋以及诸人之上，成为明画第一流。於洪武年，曾居金陵，以画为业。於永乐年之间，即随其父景祥至京师，大开境界。直至宣德年间，其画名更为著名。即被宣宗帝徵入宫庭，供奉丹青，舆谢璟、倪端、李在石、锐周、文靖等名家，同值仁智殿。所作之山水，则师法马远、夏珪，取法于郭熙、李唐，对其他花鸟人物等，无一不臻其妙也。笔法精奇整细密，尤其功力之深厚自居展转为竞而嫉妬之。王世道亦谓其作画颇浸影响，于明中叶之间，声誉更为红赫也。曾作秋江独钓图、春山积翠图、南屏雅集图、雪岩机道图、风雨行舟图等等精品，已珍藏于故宫博物馆之中。戴进之晚年颇为凌苦，由于归家以后穷困。而戴进亦善书法，真乃一字可值千金之墨宝也，十里秦淮，始建于秦代始皇三十七年，古名秦液，流经南京城，出城汇入长江，是古城金陵之起源。十里秦淮盛世图，绘出明代鼎盛时期情景和风貌也，从通济门直到聚宝门这一段，十里之民情风物。可谓十里秦淮十处景，一水相连入长江，自古都城六朝兴，喜看明初开盛京之名句也。此图，描绘景象、人物、建筑之精细，实乃无价神品，宜以珍藏之。
四、清朝翁同龢光绪九年行书评。翁当时任工部尚书充军机大臣。行书评价如下：
余阅此图实为少见之珍品明代戴进之笔师出马远其笔法精细决非一般画工所比喻宜以选入神品。
光绪九年 翁同龢。
五、收藏印。万历 鉴藏寳 朱印，位于题跋。
《大明盛世》(见相册局部)画的主要内容是：公元1433年，以南京夫子庙为中心的明朝秦淮风光。，明宣宗宣德八年春，南京久旱。七岁的皇太子朱祁镇，即后来的明英宗，随父皇明太孙宣宗朱瞻基、生母孙皇后，其弟朱祁钰即后来的代宗，御使振恤，巡游南京夫子庙。明朝四世三位皇帝（朱祁镇两次出任皇帝），英宗的母亲孙皇后皇太后，同时出现在一幅画中。画中还有其他未考的皇亲国戚。成画的时间是公元1442年、明英宗正统七年壬戌。其时英宗朱祁镇已十六岁，亲政的年龄，此画微中见大，布局紧密，错落有致，完美的还原历史情境，其纸张老旧，字迹书写流畅，吃进纸张，同时有两位大家，袁江与翁同龢同落款，画面宏伟，十分耐赏，具有不可估量的收藏价值。
英文翻译：Chinese painting and calligraphy collection has a long history. As a spiritual and cultural product of edifying sentiment, painting and calligraphy can improve investors' artistic accomplishment and appreciation ability, and have high collection and appreciation value. With the rise of the art market, the Chinese painting and calligraphy market is booming, and the future market is promising, and the collection prospect is very considerable.
A map of the prosperous world
"The Great Ming Dynasty" is an ancient painting that has influenced the painting world for 600 years. The original artist is the famous painter Dai Jin of Ming Dynasty, and there is only one original painting. This ancient painting hidden in the museum at present, numerous famous popular copy from Ming dynasty to the modern, the number of the qing dynasty Yuan Jiang jiehua through all, and the emperor wun tonghe best teacher, so we often in front of the ancient paintings found behind "nonyl e sowing and ploughing Yuan Jiang" badging and "guangxu 9 years wun tonghe" inscriptions, the collection value is rather large.
Yuan Jiang, an influential painter in the history of Chinese painting, was a court painter who specialized in landscape painting. Yongzheng, called into the palace as only Hou. During the periods of Kangxi, Yongzheng and Qianlong of the Qing Dynasty, Yuanjiang River was the most famous for its well-organized pavilions and landscapes. At that time, his nephew Yuan Yao was equally famous. They had been invited by the Shanxi salt merchants in Yangzhou to paint in Shanxi, and their works were widely circulated in the north. He was good at painting landscapes, terraces and learning from the Song Dynasty. Landscape painting mainly learn Yan Ciping in the Song Dynasty, painting stone many ghosts Cun, pavilions mainly learn Guo Zhongshu, neat and strict. His painting materials are mostly ancient palace gardens, especially better than boundary paintings. Jie painting is a very distinctive branch of Chinese national painting. It coexisted with figure painting and landscape painting in the Eastern Jin Dynasty, and reached its peak in the Song and Yuan Dynasties, but it has been pushed out by literati painting. Painting from the division of Qiu Ying, mountain exploration Guo Zhongshu and Zhao Boju, Liu Songnian and other green landscape a vein, at the same time pass the work of the boundary painting, become the first generation of the Qing Dynasty to push the painter.
Weng tonghe (1830-1904), styled shuping, known by his literary names songchan, biesu junzhai, pingsheng, pinglu layman, heimei layman, etc., was born in changshu, jiangsu province, a famous statesman and calligrapher in modern Chinese history. Baccalaureate Weng heart third son of body renge, xianfeng six years (1856) number one, successively served as the Ministry of Housing, the Ministry of Works, the Minister of military aircraft and the Prime Minister of all countries affairs yamen minister. Served as the Qing Tongzhi, Guangxu two generations of imperial teachers. He was posthumously awarded the posthumous title Wengong.
The painting of the Ming Dynasty has influenced the Chinese painting world for 600 years. It has five parts
The scroll consists of five parts. First, the painting title of seal characters, the Ming Dynasty, Renxu Yuan Jiang. The work was completed in the seven years of the Ming Dynasty, 1442 AD. Dai Jin was 54 years old at the time. After nine years of imperial envoys to the Qinhuai River in Nanjing, Prince Zhu Qi had been Emperor Yingzong of Ming Dynasty for seven years. 2. Main picture hand scroll, silk book, ink brush, 26×410 cm, iron line drawing and halo leaf drawing. Describing the Nanjing Tongji Gate, up to the Jubao Gate, which is today's Zhonghua Gate, ten miles along the Qinhuai River and ten scenic spots of the Ming Dynasty. The Dacheng Hall of Confucius Temple, the Tiananhewan Push, the Wende Bridge and the Tribute Courtyard, all of which were built 564 years ago, are vividly visible. More than 520 Ming Dynasty figures on the picture, the emperor, queen, prince, son, and other royal families of the Ming Dynasty, the army and the people of all walks of life, lifelike, the Qinhuai River bustling, good a peaceful prosperous Ming Dynasty map.
Third, Jiangsu Futai Liu Hongshi running script, introduce the author Dai Jin, painting. Running script is located at the top of the painting in the white space, with the scroll all the time. The transcript is recorded as follows: a scroll of the prosperous world of the Ming Dynasty, which is a fine work of the Ming Dynasty painter Dai Jin. Dai's styled Wenjin, also known as Jing 'an, and Yuquanshan people, good at painting. The children's teacher Ye Cheng and Changdexu family wonderful, the rate of Ma Yuan, Xia Gui in the majority. People, ghosts, flowers, flowers, feathers, and animals were all very fine. The color is not inferior to the sages of Tang and Song Dynasties. Paintwork with iron line interpretation, also use halo leaf. Since then, their unique skills, far beyond the Southern Song Dynasty and other people, have become the first class in Ming paintings. Yu Hongwu years, once lived in Jinling, painting for the industry. Yu Yongle years between, namely along with his father Jing Xiang to the capital, open realm. Until the reign of Xuande, its painting name became more famous. That is, Emperor Xuanzong enlist into the palace, sacrifice Danqing, and Xie Jing, Ni Duan, Li Zaishi, Rui Zhou, Wen Jing and other famous, with the value of Renzhi Hall. The landscape is inspired by Ma Yuan and Xia Gui, Guo Xi and Li Tang, and all other characters of flowers and birds are of great beauty. The pen is fine, especially the strength of the deep self-exhibition for competition and envy 妬. Wang Shidao also said that his painting was a great influence, and in the middle of the Ming Dynasty, his reputation became even more popular. He has made a picture of fishing alone in the autumn river, a picture of accumulating green in the spring mountains, a picture of Ya in the south screen, a picture of snow and rock machinery, a picture of sailing boat in the wind and rain, and so on, which have been collected in the Palace Museum. Dai Jin of his old age is rather Ling, due to the poor after returning home. The ten miles of Qinhuai, built in the thirty-seventh year of the first emperor of the Qin Dynasty, the ancient name of the Qin fluid, flows through the city of Nanjing, out of the city into the Yangtze River, is the origin of the ancient city of Jinling. Ten-li Qinhuai prosperous world map, drawing the Ming Dynasty heyday scene and style also, from Tongji Gate to the Gate of Jubao this section, the ten-li of the people's customs. It can be said that ten miles of Qinhuai ten scenes, a water connected into the Yangtze River, the ancient capital city six dynasties, happy to see the Ming Dynasty opened Shengjing's famous sentence also. This drawing, with its fine depiction of scenes, figures and buildings, is a priceless artifact and should be treasured.
A review of the nine years of Guangxu by Weng Tonghe in the Qing Dynasty. At that time, Weng served as a minister of the Ministry of Works. The evaluation of running script is as follows: I read this picture is actually a rare treasure. The painting master of the Ming Dynasty Dai Jin went out of his way and his fine brushwork is far from the comparison of ordinary painters. It should be selected into the divine works. Weng Tong He in the 9th year of Guangxu. Five, collection seal. Wanli Jianzhu Yin, located in the inscription.
The main content of the painting of the Great Ming Dynasty (see part of the photo album) is: in 1433, the Qinhuai scenery of the Ming Dynasty centered on the Confucius Temple in Nanjing. In the spring of the eighth year of Xuanzong Xuande in the Ming Dynasty, Nanjing was dry for a long time. The seven-year-old Crown Prince Zhu Qizhen, later known as Emperor Yingzong of the Ming Dynasty, accompanied his father, Emperor Xuanzong Zhu Qiji, his mother, Queen Sun, and his brother Zhu Qiyu, who was later Emperor Daizong and his imperial envoy Zhenxu, on a tour of the Confucius Temple in Nanjing. Three emperors of the 4th Ming Dynasty (Zhu Qizhen was emperor twice), and Empress Dowager Sun, the mother of Yingzong, appear in one painting. There are other untested relatives in the painting. The time of the painting is 1442 AD, Ming Yingzong orthodox seven years Ren Xu. At a time when British ancestors Zhu Qi town has 16 years old, the age of the personal rule, which is small in see big, tight layout, strewn at random have send, perfect restore historical situation, the paper is old, the handwriting writing is fluent, eating into the paper, there are two people at the same time, with wun tonghe Yuan Jiang evolving, magnificent picture, very resistant to reward, has inestimable value for collection.
,
